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    Artist of the month
    CHIARA ENZO
    [= CHIARA === ENZO =]
    NEWSLETTER AUGUST 2023
        [== LINK ==]

    Chiara Enzo
    Situazione con M.
    2023
    19 x 26 cm
    Acquerello, pastello, matite colorate su cartoncino incollato su tavola
    Courtesy l’Artista; Zero…, Milano
    © Chiara Enzo


    THE BLANK CONTEMPORARY ART
    99 WORDS WITH CHIARA ENZO

    The body mixed with itself and with another (or with others), with itself as with the other, does not enter into an identification or in a confusion, but in a disturbing proximity because it itself is proximity, an approach to a certain distinction and renewal, repetition and rekindling of the gap where the pleasure consists in tasting the measure forever uncertain, ephemeral and trembling. Touching: that is, making attraction and repulsion play together, integrity and break-in, distinction and translation. Making the whole play as such, i.e. the touch of unity and of its detachment, of its disunity.

    Jean-Luc Nancy, Il corpo dell’arte

    KAARINA KAIKKONEN
    [=== KAARINA = KAIKKONEN ===]
    NEWSLETTER JULY 2023
        [== LINK ==]

    Kaarina Kaikkonen
    I was trying to organize my life
    2017
    Mixed media
    Courtesy the Artist and Galleri Bo Bjerggaard, Copenhagen

    THE BLANK CONTEMPORARY ART
    99 WORDS WITH KAARINA KAIKKONEN

    Sometimes and quite often actually there is a heavy feeling coming that tells me that all the things around me are in such a mess and it is hard to control things. I am not very well organized as a person.
    Even if I try to organize everything, very soon all is mixed up again. I would love to be a person who can organize everything and keep all the things and surroundings in a beautiful order. I would love to be a better person who can help the whole world to be better.
    But unfortunately, it seems that I cannot be that person.

    DOMENICO ANTONIO MANCINI
    [= DOMENICO = ANTONIO ===== MANCINI ==]
    NEWSLETTER JUNE 2023
        [== LINK ==]

    Domenico Antonio Mancini
    La periferia vi guarda con odio
    2019
    Red neon 250 cm, 8 mm neon tube
    Courtesy of Lia Rumma Gallery, Milan – Naples
    Photo credits Danilo Donzelli

    THE BLANK CONTEMPORARY ART
    99 WORDS WITH DOMENICO ANTONIO MANCINI

    When, during the first days of high school, the teacher asked us what we liked about going to high school, which was a decidedly bourgeois institution in the historic center of Naples, completely misunderstanding the meaning of the question asked, I replied that I loved the journey. The journey that started from the eastern suburbs, the city that changed throughout the battered buses’ windows of the Napoli’s “far east”, that told me about the change in a visual and social landscape that fascinated me. Years later, on a wall in Milan, I found the same voice again, and I thought that collecting and reshaping those voices could bring them to the “centers” of the world.

    FRANCESCA FERRERI
    [=== FRANCESCA == FERRERI ==]
    NEWSLETTER MAY 2023
        [== LINK ==]

    Francesca FerreriFino al sole2021Aper mache, wood, sand, glue, galvanized iron mesh, consolidated plaster, jesmonite, pigments, electrical material, low voltage light bulb.THE BLANK CONTEMPORARY ART99 WORDS WITH FRANCESCA FERRERI«If I get close it vanishes, the top swingsthe weather. I will meditate on the movementfor a long time that pours its robbery into me». Thus was born,shield of nothing, in glorybut from the top that swings to the nothing shield,bells, the torment of finding each otherstill out and in, not to be therethat in glory of an invention of the windswollen, the slow shine that makes matter.Silvia Bre, The Bells, G. Einaudi editore

    EUGENIO TIBALDI
    [== EUGENIO ==== TIBALDI =]
    NEWSLETTER APRIL 2023
        [== LINK ==]

    Eugenio TibaldiHABITAT 032023Site specific installationMumbai art Week


    THE BLANK CONTEMPORARY ART
    99 WORDS WITH EUGENIO TIBALDI
    …Claudia said: ‘But Mrs Frankweiler, one should want to learn something new every day. We also learned it at the museum’.‘No,’ I replied. ‘I don’t agree. I think you have to learn, of course, and some days you have to learn a lot. But on some days you also have to let what we already have inside penetrate so that it touches everything. And we can feel it inside of us. If you don’t let that happen, then you just accumulate the facts, and sooner or later they will start tinkling inside of you. You can make noise with it, but you will never feel anything, only emptiness.”…From: Fuga al museodi E.L. Konigsburged. Salani Gl’Istrici

    NICOLA SAMORI'
    [=== NICOLA == SAMORI === ===]
    NEWSLETTER MARCH 2023
        [== LINK ==]

    Nicola Samorì
    Campo dei miracoli
    2022
    Oils on paper applied on linen
    500 x 800 cm
    Courtesy Galerie EIGEN+ART Leipzig/Berlin
    Photo Rolando Paolo Guerzoni


    THE BLANK CONTEMPORARY ART
    99 WORDS WITH NICOLA SAMORÌ

    Ninety-nine words made me think of ninety-nine bodies and ninety-nine days, just over three months, the period of time during which my most complex work created in 2022 took shape: “Campo dei miracoli” (“Field of miracles”).
    It is in this five by eight meter frame that rest perhaps ninety-nine – I have never counted them – bodies, a sort of derailed cataloging. Over eight years of accumulation to form what appears to be the bed of a dry river from which stones, vegetables and figures emerge.
    Returning to the initial ninety-nine words, nine are missing: here they are.

    PATRICK TUTTOFUOCO
    [=== PATRICK == TUTTOFUOCO =]
    NEWSLETTER FEBRUARY 2023
        [== LINK ==]

    Patrick Tuttofuoco
    OUT OF BODY
    2022
    Polished and painted stainless steel, Portogallo pink marble
    Courtesy Nilufar Galley, Schiavo Zoppelli Gallery


    THE BLANK CONTEMPORARY ART
    99 WORDS WITH PATRICK TUTTOFUOCO

    The expression OUT OF BODY indicates those experiences in which one perceives to “go out” of their physical body, projecting their own consciousness beyond bodily boundaries. We often speak of a journey of the soul, considered capable of freeing itself from the snares of the body where the purpose of this experience is to acquire a greater certainty of one’s spiritual reality. Such practices recur for example in Egyptian mythology, in the Pythagorean doctrine of Plato and the Neoplatonists, in Pliny the Elder, and in the general literature of visionary of various religious, spiritual and esoteric currencies, concerning projections or perceptual shifts in other dimensions of space and time.
    These reflections serve as a prerequisite for starting a practice that sees objects as extensions of the body and as a possibility to perceive the creative experience not only through the direct relationship with the material, but as an evolution and extension of thought. If the human body can be experienced as a tool to achieve new visions of the world then, in a logic of transformation, it can even become itself the matter of the project.

    GIULIO PAOLINI
    [= GIULIO === PAOLINI ==]
    NEWSLETTER JANUARY 2023
        [== LINK ==]

    100th edition of “99 words with”

    Giulio Paolini

    Giulio Paolini’s studio in TurinPhoto credit: Paolo Mussat SartorCourtesy Giulio and Anna Paolini Foundation

    THE BLANK CONTEMPORARY ART99 WORDS WITH GIULIO PAOLINI

    In an instantI live here, I’m writing you from here and hereI intend to remain from now on.From here, yes, precisely from hereone must look.It is here that the mind rests:not even a rampart of a thing,a person, not even a sound,announces itself in a voidfull of nothing thatneither sees nor hears…Yet it’s all normal:seriously, it’s really like that.

    [Giulio Paolini. Recital, Scritture in versi, 1987-2020, Vol. II, Castello di Rivoli Museo d’Arte Contemporanea, 2020, p.56]

    ANNAMARIA AJMONE
    [=== ANNAMARIA == AJMONE ==]
    NEWSLETTER NOVEMBER/DECEMBER 2022
        [== LINK ==]

    Annamaria AjmonePreparatory studies ofLa notte è il mio giorno preferito2022Photo Credit: Natália TrejbalováCourtesy the Artist

    THE BLANK CONTEMPORARY ART99 WORDS WITH ANNAMARIA AJMONE

    Jura, September 2021. Jean Marc, the ethologist who accompanies us howls, we wait in religious silence for an answer. I’m afraid to breathe. In the forest at night you wait. They suppose they might pass through this area. At night in the forest you perceive other creatures, you do not see them, you feel their eyes on your skin, while you search in that black thickness too.Following animal tracks means abandoning our human way of looking at the world; borrowing the gaze of another creature, grasping its actions, reading space through another gaze. Trying to transform, the attempt is the first move.

    ZILLA LEUTENEGGER
    [=== ZILLA == LEUTENEGGER ===]
    NEWSLETTER OCTOBER 2022
        [== LINK ==]

    Zilla Leutenegger workingPhoto credit: Sebastian Rinderknecht

    THE BLANK CONTEMPORARY ART99 WORDS WITH ZILLA LEUTENEGGER

    I like:_23 degrees celsius (outside)_Bergamasker Dogs_kitchens_the way home_big feet_the feeling after swimming_green apples_renting a car_grand hotels_gin tonics with a lot of tonic_well-tailored pants_melons_clinking glasses_order in the closet_ being saved by a good DJ_dancing_clear water_midnight blue_early morning_resting_being alone but not lonely_combination of numbers, colors and letters_chocolate_black eyes_spicy food_long introduction, short stories_space drawings_dialects_vinegar_stone floor_calm feet_bitter perfumes_a little sore muscles_humor_talking with my cat_sharp edges in drawings_the salt of my tears_white wine_bitter sweets_the beginning of a project_a good sleep_changing clothes

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    NEWSLETTER OCTOBER 2022 | ZILLA LEUTENEGGER