Contemporary Locus, in partnership with Festival Orlando identity, relations, opportunities – presents KISS (USA 1963/64) by Andy Warhol.
The film will be projected between May 17 and May 21 – from 7pm – on the glass wall of the Domus – Bergamo, on Piazza Dante.
Complesso Monumentale di Astino
curated by Corrado benigni and Mauro Zanchi
The 35th edition of Bergamo Film Meeting will take place from March 11 to 19, 2017 in Bergamo.
A rich and varied program is in the works, which confirms the Festival’s constant and ongoing effort in research and in creating connections between the most innovative trends in contemporary cinema and styles, genres and authors from the past.
Tributes, retrospectives, and restorations of classic masterpieces counterpoint the works of “new authors” which, as usual, are featured in the Competition- Exhibition and the sections of the festival dedicated to documentaries, animation, and previews. Supported and promoted by the European Union through the Creative Europe MEDIA program, the Festival explores the cinematography of the continent between past and present, offering ideas, suggestions, new perspectives and interpretations.
For nine days, with over 140 movies – including shorts and feature films – Bergamo Film Meeting will be the crossroads of international cinema, featuring guests, meetings, special events, live scoring, exhibitions, workshops, master classes, guided screenings for schools and children, and many other initiatives which – thanks to the contribution of partners and institutions – will allow the audience to explore the endless contaminations between movies, visual arts, literature, music, and comics.
Duration: 4 weeks, June 2017
Artist Accommodation: Provided. Studio or One Bedroom Apartment (one per each artist). Shared studio areas and open-air studio space provided upon request.
Number of artists resident at one time: Between 5 and 7.
Application deadline: February 5, 2017
How to apply: http://cargocollective.com/nahr/Apply-1
Set in the rural Taleggio Valley in northern Italy, the NAHR program offers a lively space to productively think and create, collaborate and interact, and our residents take full advantage of the surrounding natural landscapes as well as Italy’s rich material culture, which combines vernacular traditions with innovative approaches to space and place, people and their communities.
NAHR is a one-month residency (June) offered to six multidisciplinary professionals and one university level student active in the fields of bio-inspired arts, design, architecture, as well as anthropology, botany, natural sciences, literature, technology, economy or a cross-disciplinary blend of any of these. An international jury will select the residents based on their proposals. Selection criteria will include feasibility, originality, and overall quality of the proposals. Each NAHR residency is supplied without fees; lodging is provided.
Residencies will be awarded according to independent project proposals that best explore the 2017 topic Rock and stone: material culture and cultures of making; candidates are asked to consider how their proposals might best explore how to build dynamic relationships and articulations between the Valley’s ecological resources, socio-cultural practices, and the built environment.
Proposals will consider the Taleggio Valley as a case study and will understand the residency is an opportunity to develop individual research paths. Proposals must aim to explore in-depth the domains of nature and landscape alongside the identity and memory of the valley situated in the heart of the Orobie Alps. Approaches may include the tangible and intangible heritage of rural buildings, artifacts, works, as well as oral stories, knowledge, know-how, traditions, crafts, flavors, habits of the local population and communities that participate, legitimize, perpetuate, and generate an in situ cultural logic of people and place.
Selection priority will be given to proposals that demonstrate both a direct engagement with the surrounding nature and the human habitat, through objectives and methods, and the ability to produce an artifact such as an installation, a thematic path, a sculpture, paintings, texts, food recipes, as new types of landmark on the Valley’s territory.
Applicants need to demonstrate via their portfolio a strong commitment to research and investigation, as well as demonstrate the production of previous work relating to the scope of NAHR. Proposals will include a description of how the Taleggio Valley can be the appropriate case study for ongoing work.
NAHR’s multidisciplinary laboratory propels innovative and creative thinking. Annually dedicating research toward a specific natural element so as to examine the resiliency of the ecological systems located in Taleggio Valley, NAHR is pleased to launch the 2017 summer residency, entitled Rock and Stone: Material Culture and Cultures of Making.
Rock represents the substrate of life, and gives shapes to the natural landscape, conferring character to vernacular built environments. Rock has been used for human tools, and the tradition of shaping and sculpting rocks continues today. Rock is also used to create concrete, that most common of construction materials, and it is at the basis of silicon that gives substance to the hi-tech world, a paradigm shift to mark the onset of the current Anthropocene geological age.
Revealing connections between the natural and artificial, rock is both a repository of the geological past as well as a material that shapes our future.
NAHR’s 2017 theme will explore the material that also constitutes the foundations of the Taleggio Valley. Omnipresent at different scales – from the monumental mountains to the sedimented minerals, from the historical traditional architecture to structural details and small handmade objects – the presence of rock can initiate material and poetical explorations to inspire and encourage creative design actions.
Visits to quarries, walks to the mountain peaks, dedicated lectures by specialists will guide the observation and analysis of the rock surrounding NAHR, and this summer’s residency program expects to explore interactions and relationships within the valley’s ecosystem by offering site-specific investigations and opening up the possibility of a range of inter- and cross-disciplinary research opportunities.
NAHR is particularly invested in expressing the resiliency of nature in four domains:
Encourages the study of local culture and production/exchange relations extending to observations on local ecosystems in order to generate economic models based on concepts of restoration, regeneration and circularity. These models are ideally exportable to future developments at both local and global scales, promoting a resilient use of natural and cultural resources, eliminating obsolete concepts such as waste and pollution.
Bio-Inspired Design and Architecture:
Development and/or creation of projects and artifacts inspired by form, functions and processes found in the nature of the Valley.
Body Performing Nature:
Artworks production and critical investigations that embody relationships to nature, landscape, sustainability and ecology, extending to all types of performances, dance, choreography and art happenings.
Designed Futures, Technology & New Media:
Use of emerging technology tools/engines: virtual and augmented reality, 3D printing, scanning, artificial intelligence, sensor based systems, robotics, simulations – to investigate the shifting boundary between technology and nature, infrastructure and ecosystem.
Riccardo Beretta, 2015
ROSE WINDOW (ORANGE)
Terrasanta Relief on natural dyed veneers
Diameter: 80 cm
courtesy the artist and Francesca Minini, Milan
Opening: 15th December 2016, h. 8.00 pm
In conjunction with The Blank Benefit, Spazio ALT hosts ROSE WINDOWS, an exhibition dedicated to the works of Richard Beretta curated by Stefano Raimondi.
There will be a selection of works from the series “Rose Windows”.
Here the link to support the project
More Art is working with Brooklyn-based Italian-born artist Andrea Mastrovito to create NYsferatu, an ambitious public art project that combines film, music, and community engagement to create a powerful and poignant statement about immigrant rights in today’s world. Taking the first step in this lengthy process, Mastrovito and a team of artists, will hand animate Friedrich W. Murnau’s seminal 1922 film Nosferatu, itself an adaptation of Bram Stoker’s story, Dracula.
Using the technique of rotoscoping, each character, gesture, and expression will be redrawn in the original film’s classic style while the background of contemporary New York City will bring the film to the current moment. Each recreated background will be drawn 3 times in order to replicate the beautifully eerie flickering shutter effect of early cinema. In all, the artist will make over 35,000 original drawings to create this feature length hand-animated film.
With key organizational partners, More Art and Mastrovito will arrange hands-on workshops in which English as Second Language Learners can discuss the film and its implications. The workshops will culminate with participants rewriting the silent film’s title cards to reflect their respective community’s experience of overcoming obstacles of xenophobia and racism to make their home in a new city. In so doing the participants change the very meaning of the film as well as its ending.